Sangeet chikitsa paddhati ke kshetra me huee aur ho rahe shodh vishayak ek adhyanatamak drishti

Abstract

Proposed work of research is a study and analysis of certified facts related to the newlinetherapeutic effect of Indian musical tradition with an overall study of the structure of world music newlinetherapy techniques and formats. Ancient Saam Gaan was based on consonance between two newlinenotes and seven notes in which hands were waved up and down described to give good health newlineand long life. Song conjoined activities in modern special education techniques are adaptation of newlinethat tradition. Melodic intonation therapy uses two or three notes to practice a set of easy to hard newlinewords to improve verbal and communicational defects. Tapping hands is a part of therapy. newlineVerbal and non verbal actions by Taali and Khalli in Margi and Deshi music tradition newlineimmensely activate the right part of brain giving therapeutic effects. newlinePara, Pachyanti, Madhyama and Bikhari are four types of sound from which Bikhari is newlineaudible, the same is called audible sound to human and other are ultrasonic and supersonic waves newlinein scientific form. Yogacharyas and practitioners link those to mental activeness as it is described newlinein Naad yoga as neutrality of audible sounds and perception of inaudible sounds. newlineWidely acclaimed five international models of music therapy with some educational newlinemethods are studied. Detailed study proves that formats and procedures of those models share newlinecommon objectives with our Yagya and worship patterns. Goals of every spiritual ritual are to newlinediscover and pacify inner self or Antarmaan in which music acts as a medium. newlinem usic thImerpaopryt aanntd pInardti aonf mreusseicaarlc thr acdoitnisoinstss w ohfi ccho cmopnacrluisdoens btheatwt feoerne iginnt feorrnmataiotsn aanl dm coodnecles potsf ePxreisstesn inte odu rw torarkd,i tiwonitsh i nt hmeo rhee slpim polfe eavnidd eenacsey sw aayn da nldo gairces copnrosotafsn tltyh aaftf emctuinsgic wthhoelrea psoyc iwetays. ianrceo irtps oerlaabteodr aitni oInn dainadn emxupslaicn atrtaiodnitsi.on from ancient time, and modern formats and structures