Shri Krishan se sambandhit drut khayal ki bandishon ka vishleshnatamak adhayayan

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dc.contributor.guideSharma, Pankaj Mala and Tiwari, Vandana
dc.coverage.spatialMusic
dc.creator.researcherSharma, Jyoti
dc.date.accessioned2019-11-01T05:19:22Z
dc.date.available2019-11-01T05:19:22Z
dc.date.awardedn.d.
dc.date.completed2018
dc.date.registered11/03/2015
dc.description.abstractShri Krishan has significance role in Indian religion and philosophy. Shri Krishan possessing all 16 kalas is representing deity of Vishnu having different avtaras. He is always having flute with him and pleased by music. He occupies a significance place in all style of singing through the ages like dhruvagaan, dhrupad, dhamar and khayal. It has been observed that in modern time the singers and composers of classical music composed and practiced so many compositions in fast tempo i.e. drut khayal related to Krishna. The source material has been collected from Sangeetanjali, Raag Vigyan, Bhavrang lehari, Abhinav geetanjali and Kramik pustak malika. This study is based on 521 compositions composed in 186 ragas and 7 talas in different moods and leelas of Shri Krishan. That highlights literature, Raga, Tala, Rasa and Bhava on Laukik to Adhyatamik platform which is very much relevant in the present time.
dc.description.noteBibliography p.263-276 and Annexures p.277-314
dc.format.accompanyingmaterialCD
dc.format.dimensions-
dc.format.extentvii,314p.
dc.identifier.urihttp://hdl.handle.net/10603/262046
dc.languageHindi
dc.publisher.institutionDepartment of Music
dc.publisher.placeChandigarh
dc.publisher.universityPanjab University
dc.relation-
dc.rightsuniversity
dc.source.universityUniversity
dc.subject.keywordArts and Humanities,Arts and Recreation,Art
dc.subject.keywordAshtchhap
dc.subject.keywordBandishon
dc.subject.keywordDrut Khayal
dc.subject.keywordGayak
dc.subject.keywordShree Krishan
dc.titleShri Krishan se sambandhit drut khayal ki bandishon ka vishleshnatamak adhayayan
dc.title.alternative-
dc.type.degreePh.D.

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