Disenchanting the Enchanted A Postmodern Reading of Select Retold Fairytales

dc.contributor.guideChristina Rebecca S
dc.coverage.spatialEnglish Literature
dc.creator.researcherSamadhanam Emimal M
dc.date.accessioned2021-01-19T11:45:25Z
dc.date.available2021-01-19T11:45:25Z
dc.date.awarded2020
dc.date.completed2020
dc.date.registered2018
dc.description.abstractFairytale is one of the literary genres that play a significant role in shaping our perspective towards life and its meaning. Keeping in tandem the shifting paradigms and cultural context, the genre evolved into multiple variants. Despite its evolvement reflecting the changing trend, it always retained its distinct narrative patterns, restrictive tropes and fixed narrative style. This eventually led to the resonance of grandnarrative ideology that exerted an influential perspective and restrictive knowledge towards life and other crucial function concerning human society. newlineOn the contrary, the retold fairytales innovatively reconstructed the traditional genre that idealizes pragmatic approach and revolutionary insight. The works chosen for the study are Angela Carter s The Bloody Chamber (1979), Tanith Lee s Red as Blood: Tales of the Sisters Grimmer (1983), Robert Coover s Briar Rose (1996), Emma Donoghue s Kissing the Witch: Old Tales in New Skin (1997) and Michael Cunningham s A Wild Swan and other Stories (2015). Advocating a postmodern reading, the study elucidates the ways the retold fairytale narrative deconstructs and reconstructs the traditional configurations to reflect contemporary sensibility. In doing so, the study explores structural, mythical and ideological facets of the genre exclusively in each chapter. Chapter II featuring the structural aspect focuses on the various postmodern strategies used by the retold fairytales in subverting the restrictive functions of the physical and narrative properties of the genre. Chapter III dealing with the mythical aspect elucidates various contributing factors that lead to mythicization of fairytale genre counterpoised with postmodern strategies that de-mythologize the contrived patterns. Chapter IV exploring the ideological aspect explicates the concept of truth and its contemporary significance and the role of the retold fairytales in invalidating the grandnarrative stand by exposing its artificial constructedness. The study through the select retold fairytal
dc.description.note
dc.format.accompanyingmaterialDVD
dc.format.dimensions210 mm x 290 mm
dc.format.extent232 p.
dc.identifier.urihttp://hdl.handle.net/10603/312343
dc.languageEnglish
dc.publisher.institutionDepartment of English
dc.publisher.placeCoimbatore
dc.publisher.universityAvinashilingam Deemed University For Women
dc.relation181
dc.rightsuniversity
dc.source.universityUniversity
dc.subject.keywordArts and Humanities
dc.subject.keywordLiterature
dc.subject.keywordFairytales, Postmodernism, Retelling, Metanarratives, Mininarratives
dc.titleDisenchanting the Enchanted A Postmodern Reading of Select Retold Fairytales
dc.title.alternative
dc.type.degreePh.D.

Files

Original bundle

Now showing 1 - 5 of 11
Loading...
Thumbnail Image
Name:
01_title.pdf
Size:
58.44 KB
Format:
Adobe Portable Document Format
Description:
Attached File
Loading...
Thumbnail Image
Name:
02_certificate.pdf
Size:
362.76 KB
Format:
Adobe Portable Document Format
Loading...
Thumbnail Image
Name:
03_acknowledgement.pdf
Size:
72.97 KB
Format:
Adobe Portable Document Format
Loading...
Thumbnail Image
Name:
04_contents.pdf
Size:
51.84 KB
Format:
Adobe Portable Document Format
Loading...
Thumbnail Image
Name:
05_chapter 1.pdf
Size:
341.38 KB
Format:
Adobe Portable Document Format

License bundle

Now showing 1 - 1 of 1
Loading...
Thumbnail Image
Name:
license.txt
Size:
1.79 KB
Format:
Plain Text
Description: